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Dumb Eyes for Ghost Gallery |
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Izzie Klingels for Ghost Gallery |
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Twilight Tote Bag by Mike Pham |
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Dumb Eyes for Ghost Gallery |
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Izzie Klingels for Ghost Gallery |
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Twilight Tote Bag by Mike Pham |
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John T. Williams memorial by NTG (image via) |
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John T. Williams totem pole |
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94mm x 94mm mixed media on wood and canvas panels by Harold Hollingsworth |
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Ahh Nuts! | Art Against Allergies |
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photo by Klara Glosova |
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by Lauren Klenow |
What we now consider to be the most western part of Washington State, is actually the remaining eastern edge of the world’s smallest tectonic plate. The Olympic Peninsula was once part of the ocean floor on the plate of Juan de Fuca until it crashed into the larger continental plate of North America, shifting landmasses and creating the Olympic Mountain Range.Grappling to understand these vast geological shifts and the scale of their movement, Lauren Klenow spent a month exploring the Olympic Peninsula between Port Townsend and Neah Bay. Responding to these mountain peaks and waterways. Embedded is a collection of works created amidst time spent traipsing among Sitka spruces and westward excursions along coastal bluffs, mountain ridges, and beaches.
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Leaving My Best Friend, 2012, by Liz Markus acrylic on unprimed canvas, 22.4" x 30" image via ZieherSmith |
"Inspired by Frederic Church's dramatic 19th century landscapes and the Florida Highwaymen, a self-taught group of African-American artists self-named “The Last Great American Art Movement of the 20th Century,” her renderings of classic ocean sunsets, arctic glaciers, rocky cliffs and dramatic waterfalls also serve as stand-ins for the drama of romantic relationships."
I Wouldn't Change One Thing About You, 2012, by Liz Markus acrylic on unprimed canvas, 54" x 72" image via ZieherSmith (thanks for the heads up, Pacific Standard) |
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Ring Pop, 2008, by Matt Cosby
Oil on panel,
polyurethane & aluminum
19 7/8 x 18 1/2 inches
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Weather Study 2, Sudan,
2010, by Sally Finch
Acrylic ink on paper,
Image area 13.5" x 13.5"
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laundry day, by GraceWeston
staged photograph
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Mareket I, by Karen Silve
68" x 58",
Acrylic on Canvas
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Verdant Tumbledown,
2010, by Laurie Danial
oil on panel, 24x24
inches
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Subduction 1, by KellyNiedig
30” x 36", oil
on canvas
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Trophy, 2010, by BrendaMallory
Cloth, wax, welded
steel, 20" x 20" x 13"
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We Live In The Night
Ocean Wondering
What Are These Lights
II, 2011, by Tamara English
Oil on canvas, 48 x 48
inches
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Tesseract by Lawrence Morrell |
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Happy in her new life,
2010, by Gabriel Liston
Pigment, acrylic, book,
5.25" x 4.25" x .5"
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Twitter Art (@tw1tt3rart) / Matthew Haggett |
Bear Cub, 2011, by
Rachel Denny
polyurethane foam,
wool, thread, wood
19" x 15"
x16"
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Hayden Island Railroad
Bridge, February, by Lli Wilburn
ink, dye and graphite
on board, 4.25” x 6.5”
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archival digital print,
2010 – 2011, by TJ Norris
from the series
Past/Tense, unique edition 2 AP
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Superfluity by EugeniaPardue
Acrylic on Panel,
48"x48
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Make Me Laugh, 2011, by Doug Parry gouache on paper, 15" x 11" |
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Big Pink Dumb Bang Gun, 2011, by Doug Perry oil on canvas, 16" x 20" |
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Incognito, 2011, by Doug Parry gouache on paper, 15" x 11" |
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"We are your friends", 2011 by Joey Veltkamp |
This exact moment! |
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DUST TO DUST, 2010, archival inkjet print by Chris Engman |
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Universal Now: Piccadilly Circus, New Years Celebrations, 1951/1961, (2008) by Abigail Reynolds, image via Ambach & Rice |
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by Abigail Reynolds / image via Ambach & Rice |
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Deathcake Royale |
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Copsicle, 2011 by Roy Powell |
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Baso Fibonacci |
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Chevron by Michael Harrison |
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from Decoys by Nicholas Nyland |
“I found an old duck decoy in a thrift shop that was made of canvas with an abstracted plumage design printed on it. It got me thinking about the way paintings or sculpture often operate in a similar manner, an act of dissembling through a surface treatment that stands in for another.” - Nicholas Nyland
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from Decoys by Nicholas Nyland |
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Blue.Hour by Yann Novak (image via Jack Straw New Media Gallery) |
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Rainbow Gay-bies at Cupcake Royale |
Ecologic cardboard vase by NUBE Green |
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Salt at SugarPill |
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Linda on the cover of this month's City Arts photo by Steve Korn |
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Chrysanthemum, 2011, by Tony Sonnenberg |
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"Untitled", 2011, by Timea Tihanyi |
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"Popeye and Olive", 2011, by Jacob Foran |
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"Shoot from the Hip", 2012, by George Rodriguez |
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"Bear Picnic", 2011 by Ben Hirschkoff |